![]() ![]() His masterpieces of the early decades (and there seems an endless succession of works with title to that distinction) were either homages to past masters of landscape painting or entirely personal interpretations of the most extraordinary range of naturalistic effects and subjects. ![]() Devoted to the academy's lofty mission, as it had been articulated by the recently deceased Sir Joshua Reynolds (1723-1792) in his annual lectures to the students of the academy, Turner would relish his election as a full academician in 1802 and would serve as professor of perspective from 1807 until 1837. Turner submitted his first oil painting, a seascape, for exhibition at the Royal Academy in 1796 and was elected an associate member three years later, at the earliest permissible age. Although he entered the Royal Academy Schools in 1789, Turner's substantive artistic training came from his numerous self-conducted topographical drawing tours of the British Isles in the early 1790s and from his camaraderie with Thomas Girtin (1775-1802), with whom he copied the masterworks of landscape watercolorist John Robert Cozens (1752-1799) in the collection of Dr. As an adolescent, Turner colored engravings for the print sellers and apprenticed with architectural draftsman Thomas Malton (1726-1801). Joseph Mallord William Turner, the supreme landscape painter of the romantic era, had the exceptional good fortune to be the son of a Covent Garden barber and wigmaker who thoroughly supported his aspirations to paint pictures.
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